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Forthcoming Articles

  • Ackermann, Zeno. "Rocking the Culture Industry/ Performing Breakdown: Pink Floyd's The Wall and the Termination of the Post-War Era."
  • Ahlkvist, Jarl A. "What Makes Rock Music 'Prog'? Fan Evaluation and the Struggle to Define Progressive Rock."
  • Atkinson, Pete. "The Beatles on BBC Radio in 1963: The 'Scouse' Inflection and a Politics of
    Sound in the Rise of the Mersey Beat."
  • Atton, Chris. "Popular Music Fanzines: Genre, Aesthetics, and the 'Democratic Conversation'."
  • Biron, Dean. "Towards a Popular Music Criticism of Replenishment."
  • Carpenter, Alexander. "The 'Ground Zero' of Goth: Bauhaus, 'Bela Lugosi's Dead,' and the Origins of Gothic Rock."
  • Dawson, Ashley."Calypso Circuits: Trans-Atlantic Popular Culture and the Gendering of Black Nationalism."
  • Duffett, Mark. "Fear Nothing: Self-Fashioning and Social Mobility in 50 Cent's The 50th Law."
  • Elafros, Athena. "'No Beauty Tips or Guilt Trips': Rockrgrl, Rock, and Representation."
  • Fleiner, Carey. "The Influence of Childhood and Family on the Works of Ray and Dave Davies."
  • Granade, S. Andrew. "'So Here's Us on the Raggedy Edge': Exoticism and Identification in Joss Whedon's Firefly."
  • Gunkel, David J. "What Does It Matter Who Is Speaking? Authorship, Authority, and the Mashup."
  • Harrison, Anthony Kwame and Craig Arthur, "Reading Billboard 1979-1989: Exploring Rap Music's Emergence Through the Music Industry's Most Influential Trade Publication."
  • Hill, Jeremy. "'Country Comes to Town': Country Music's Construction of a New Urban Identity in the 1960s."
  • Inglis, Ian. "'I Read the News Today, Oh Boy': The British Press and the Beatles."
  • Johnson, Ann M. "Steven Van Zandt and the Garage Rock Revival."
  • Jones, Christopher M. "Hip Hop Quebec: Self and Synthesis."
  • Karpf, Juanita. "Get the Pageant Habit: E. Azalia Hackley's Festivals and Pageants During the World War I Years, 1914-1918."
  • Kruse, Holly. "Local Identity and Independent Music Scenes, Online and Off."
  • Laing, Dave. "'The World's Best Rock Read': Let It Rock 1972-1975."
  • McLeese, Don. "Straddling the Cultural Chasm: The Great Divide Between Music Criticism and Popular Consumption."
  • Neto, Luiz Costa-Lima. "The Musical Universe of Hermeto Pascoal."
  • Papayanis, Marilyn Adler. "Feeling Free and Female Sexuality: The Aesthetics of Joni Mitchell."
  • Powers, Devon. "Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype."
  • Powers, Devon. "Rock Criticism's Public Intellectuals."
  • Ritter, Jonathan. "Chocolate, Coconut, and Honey: Race, Music, and the Politics of Hybridity in the Ecuadorian Black Pacific."
  • Rivera, Petra R. "'Tropical Mix': Afro-Latino Space and Notch's Reggaetón."
  • Roberson, James E. "'Doin' Our Thing': Identity and Colonial Modernity in Okinawan Rock Music."
  • Sanga, Imani. "Music and the Regulatory Regimes of Gender and Sexuality in Tanzania."
  • Schaefer, Nancy A. "'Oh, You Didn't Think Just the Devil Writes Songs, Do Ya?'--Music in American Evangelical Culture Today."
  • Schmutz, Vaughn, Alex van Venrooij, Susanne Janssen, and Marc Verboord."Change and Continuity in Newspaper Coverage of Popular Music Since 1955: Evidence from the United States, France, Germany, and the Netherlands."
  • Shahan, Cyrus. "The Sounds of Terror: Punk, Post-Punk, and the RAF After 1977."
  • Stephens, Vincent. "Shaking the Closet: Analyzing Johnny Mathis's Sexual Elusiveness, 1956-1982."
  • Weisethaunet, Hans, and Ulf Lindberg."Authenticity Revisited: The Rock Critic and the Changing Real."

Updated: September 1, 2010