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- Ackermann, Zeno. "Rocking the Culture Industry/
Performing Breakdown: Pink Floyd's The Wall and the Termination
of the Post-War Era."
- Adelt, Ulrich. "Machines with a Heart: German
Identity in the Music of Can and Kraftwerk."
- Ahlkvist, Jarl A. "What Makes Rock Music 'Prog'?
Fan Evaluation and the Struggle to Define Progressive Rock."
- Armstrong, Edward G. and Paul Greider."The Presentation
of Identity in the Work Songs of Johnny Cash."
- Biron, Dean. "Towards a Popular Music Criticism
of Replenishment."
- Brackett, David. "Black or White? Michael Jackson
and the Idea of Crossover."
- Brown, Hugh. "Valuing Independence: Esteem
Value and Its Role in the Independent Music Scene."
- Carpenter, Alexander. "The 'Ground Zero' of
Goth: Bauhaus, 'Bela Lugosi's Dead,' and the Origins of Gothic Rock."
- Berg, Jeremy. "On the Removal of Download Access
to Grateful Dead Soundboards from the Live Music Archive."
- Cooper, B. Lee. ""From Cement Mixers to
Personal Computers: Images of Technology in Commercial Recordings, 1910-2010."
- Danielsen, Anne. "The Sound of Crossover: Microrhythm
and Sonic Pleasure in Michael Jackson's 'Don't Stop 'Til You Get Enough'."
- Duffett, Mark. "Fear Nothing: Self-Fashioning
and Social Mobility in 50 Cent's The 50th Law."
- Fast, Susan. "Michael Jackson's Queer Musical
Belongings."
- Faust, Jeremy Samuel. "'When You Have to Say
"I Do"': Orientalism in Michael Jackson's 'Liberian Girl'."
- Fauteux, Brian. "'New Noise' versus the Old
Sound: Manifestos and The Shape of Punk to Come."
- Friedberg, Harris. "'Are You Popular?': Dating,
Gender, and the Double Coding of Rock and Roll."
- Granade, S. Andrew. "'So Here's Us on the Raggedy
Edge': Exoticism and Identification in Joss Whedon's Firefly."
- Gunkel, David J. "What Does It Matter Who Is
Speaking? Authorship, Authority, and the Mashup."
- Hayward, Philip. "Island Leverage: Vanessa Quai,
Vanuatu, and Transnational Career Performance."
- Ho, Wai-Chung and Wing-Wah Law, "The Cultural
Politics of Introducing Popular Music Into China's Music Education."
- Johannson, Mats. "Michael Jackson and the Expressive
Power of Voice-Produced Sound."
- Karpf, Juanita. "Get the Pageant Habit:
E. Azalia Hackley's Festivals and Pageants During the World War I Years,
1914-1918."
- Khan, Amir. "Michael Jackson's Ressentiment:
Billie Jean and Smooth Criminal in Conversation with Fred Astaire."
- Lafrance, Marc, Lara Worcester, and Lori Burns, "Gender
and the Billboard Top 40 Charts Between 1997 and 2007"
- Martin, Katy. "The Preoccupations of Mr. Lomax,
Inventor of the 'Inventor of Jazz'."
- Mitchell, Gillian A.M. "From 'Rock' to 'Beat':
Towards a Reappraisal of British Popular Music, 1958-1962."
- Moberg, Marcus. "Religion in Popular Music or
Popular Music as Religion? A Critical Review of Scholarly Writing on
the Place of Religion in Metal Music and Culture."
- Negus, Keith. "Time, Temporality, and the Popular
Song."
- Penney, Joel. "'We Don't Wear Tight Clothes':
Gay Panic and Queer Style in Contemporary Hip Hop."
- Perchard, Tom. "Hugues Panassié Contra
Walter Benjamin: Bodies, Masses, and the Iconic Jazz Recording in Mid-Century
France."
- Pietilä, Tuulikki. "Body Politic: The
Emergence of a 'Kwaito Nation' in South Africa."
- Ritter, Jonathan. "Chocolate, Coconut, and
Honey: Race, Music, and the Politics of Hybridity in the Ecuadorian
Black Pacific."
- Roberson, James E. "'Doin' Our Thing': Identity
and Colonial Modernity in Okinawan Rock Music."
- Rossiter, Brian. "'They Don't Care About Us':
Michael Jackson's Black Nationalism."
- Schaefer, Nancy A. "'Oh, You Didn't Think Just
the Devil Writes Songs, Do Ya?'--Music in American Evangelical Culture
Today."
- Schreffler, Gibb. "Migration Shaping Media:
Punjabi Popular Music in Global Historical Perspective."
- Sexton, Jamie. "Weird Britain in Exile: Ghost
Box, Hauntology, and Alternative Heritage."
- Stimeling, Travis D. "'Stay Out of the Way of
the Southern Thing': The Drive-By Truckers' Southern Gothic Soundscape."
- Svec, Henry Adam. "Who Don't Care If the Money's
No Good? Authenticity and The Band."
- Traber, Daniel S. "Pick It Up! Pick It Up! The
Transnational Localism of Ska."
- Vallee, Mickey. "The Media Contingencies of
Generation Mash-Up: A Zizekian Critique."
- Ward, Brian. "'The "C" Is for Christ':
Arthur Unger, Datebook Magazine, and the Beatles."
- Warwick, Jacqueline. "'You Can't Win, Child,
But You Can't Get Out of the Game': Michael Jackson's Transition from
Child Star to Superstar."
- Webster, Emma. "'One More Tune!' The Encore
Ritual in Live Music Events."
- Wong, Chuen-Fung. "Singing Muqam in Uyghur Pop:
Minority Modernity and Popular Music in China."
Updated: January 15, 2012
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