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- Ackermann, Zeno. "Rocking the Culture Industry/
Performing Breakdown: Pink Floyd's The Wall and the Termination of the
Post-War Era."
- Ahlkvist, Jarl A. "What Makes Rock Music 'Prog'?
Fan Evaluation and the Struggle to Define Progressive Rock."
- Atkinson, Pete. "The Beatles on BBC Radio in
1963: The 'Scouse' Inflection and a Politics of
Sound in the Rise of the Mersey Beat."
- Atton, Chris. "Popular Music Fanzines: Genre,
Aesthetics, and the 'Democratic Conversation'."
- Biron, Dean. "Towards a Popular Music Criticism
of Replenishment."
- Carpenter, Alexander. "The 'Ground Zero' of
Goth: Bauhaus, 'Bela Lugosi's Dead,' and the Origins of Gothic Rock."
- Dawson, Ashley."Calypso Circuits: Trans-Atlantic
Popular Culture and the Gendering of Black Nationalism."
- Duffett, Mark. "Fear Nothing: Self-Fashioning
and Social Mobility in 50 Cent's The 50th Law."
- Elafros, Athena. "'No Beauty Tips or Guilt Trips':
Rockrgrl, Rock, and Representation."
- Fleiner, Carey. "The Influence of Childhood
and Family on the Works of Ray and Dave Davies."
- Granade, S. Andrew. "'So Here's Us on the Raggedy
Edge': Exoticism and Identification in Joss Whedon's Firefly."
- Gunkel, David J. "What Does It Matter Who Is
Speaking? Authorship, Authority, and the Mashup."
- Harrison, Anthony Kwame and Craig Arthur, "Reading
Billboard 1979-1989: Exploring Rap Music's Emergence Through the Music
Industry's Most Influential Trade Publication."
- Hill, Jeremy. "'Country Comes to Town': Country
Music's Construction of a New Urban Identity in the 1960s."
- Inglis, Ian. "'I Read the News Today, Oh Boy':
The British Press and the Beatles."
- Johnson, Ann M. "Steven Van Zandt and the Garage
Rock Revival."
- Jones, Christopher M. "Hip Hop Quebec: Self
and Synthesis."
- Karpf, Juanita. "Get the Pageant Habit: E. Azalia
Hackley's Festivals and Pageants During the World War I Years, 1914-1918."
- Kruse, Holly. "Local Identity and Independent
Music Scenes, Online and Off."
- Laing, Dave. "'The World's Best Rock Read':
Let It Rock 1972-1975."
- McLeese, Don. "Straddling the Cultural Chasm:
The Great Divide Between Music Criticism and Popular Consumption."
- Neto, Luiz Costa-Lima. "The Musical Universe
of Hermeto Pascoal."
- Papayanis, Marilyn Adler. "Feeling Free and
Female Sexuality: The Aesthetics of Joni Mitchell."
- Powers, Devon. "Bruce Springsteen, Rock Criticism,
and the Music Business: Towards a Theory and History of Hype."
- Powers, Devon. "Rock Criticism's Public Intellectuals."
- Ritter, Jonathan. "Chocolate, Coconut, and Honey:
Race, Music, and the Politics of Hybridity in the Ecuadorian Black Pacific."
- Rivera, Petra R. "'Tropical Mix': Afro-Latino
Space and Notch's Reggaetón."
- Roberson, James E. "'Doin' Our Thing': Identity
and Colonial Modernity in Okinawan Rock Music."
- Sanga, Imani. "Music and the Regulatory Regimes
of Gender and Sexuality in Tanzania."
- Schaefer, Nancy A. "'Oh, You Didn't Think Just
the Devil Writes Songs, Do Ya?'--Music in American Evangelical Culture
Today."
- Schmutz, Vaughn, Alex van Venrooij, Susanne Janssen,
and Marc Verboord."Change and Continuity in Newspaper Coverage
of Popular Music Since 1955: Evidence from the United States, France,
Germany, and the Netherlands."
- Shahan, Cyrus. "The Sounds of Terror: Punk,
Post-Punk, and the RAF After 1977."
- Stephens, Vincent. "Shaking the Closet: Analyzing
Johnny Mathis's Sexual Elusiveness, 1956-1982."
- Weisethaunet, Hans, and Ulf Lindberg."Authenticity
Revisited: The Rock Critic and the Changing Real."
Updated: September 1, 2010
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