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Forthcoming Articles

Through Volume 37, Issue 5 (December 2014) - updated October 21, 2014

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q-R | S | T | U-V | W | Y-Z

T

Takasugi, Fumiko. "The Development of Underground Musicians in a Honolulu Scene, 1995-1997." 26.1 (2003): 73-94.

Tanner, Julian. "Pop, Punk and Subcultural Solutions." 6.1 (1978): 68-71.

Taylor, Timothy D. "Re-signing Mass Culture: Billy Bragg's 'There is Power in a Union.'" 15.2 (1991): 33-48.

Teixeira, Joo Gabriel L.C. "National Identity in Brazilian Popular Music." 26.1 (2003): 31-36.

Tervo, Mervi. "From Appropriation to Translation: Localizing Rap Music to Finland." 37.2 (2014): 169-186.

Textor, Alex Robertson. "A Close Listening of the Pet Shop Boys' 'Go West.'" 18.4 (1994): 91-95.

Thaxton, Lyn, and Charles Jaret. "Country Music and Its City Cousin: A Comparative Analysis of Urban and Rural Country Music." 6.4 (1979): 307-15.

Thomas, Lorenzo. "A Sense of Community: Blues Music as Primer for Urbanization." 14.2 (1990): 77-86.

Thompson, Stacy. "Crass Commodities." 27.3 (2004): 307-322.

Thompson, Stephen I. "Forbidden Fruit: Interracial Love Affairs in Country Music." 13.2 (1989): 23-38.

-----. "American Country Music in Japan." 16.3 (1992): 31-38.

Thorley, Mark. "Assaulted by the iPod: The Link between Passive Listening and Violence." 34.1 (2011): 79-96.

Thrush, John C., and George S. Paulus. "The Concept of Death in Popular Music: A Social Psychological Perspective." 6.3 (1979): 219-28.

Tillman, Robert H. "Punk Rock and the Construction of 'Pseudo-Political' Movements." 7.3 (1980): 165-75.

Titus, A. Costandina, and Jerry L. Simich. "From 'Atomic Bomb Baby' to 'Nuclear Funeral': Atomic Music Comes of Age, 1945-1990." 14.4 (1990): 11-38.

Toivonen, Timo, and Antero Laiho. "'You Don't Like Crazy Music': The Reception of Elvis Presley in Finland." 13.2 (1989): 1-22.

Tomaselli, Keyan G., and Bob Boster. "Mandela, MTV, Television and Apartheid." 17.2 (1993): 1-20.

Traber, Daniel S. "Pick It Up! Pick It Up! The Transnational Localism of Ska." 36.1 (2013): 1-18.

Trechsel, Stephen S., Peter Hesbacher, Paul Snyderman, and Bruce Anderson. "Anthology Albums: Do They Promote or Replace Regular Product?" 7.4 (1980): 245-51.

Tsitsos, William. "Racial Transparency Theory Applied to Musicians Who Claim to Be Aliens." 37.1 (2014): 22-32.

Tucker, Joshua. "Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima." 33.2 (2010): 141-162.

Tunnell, Kenneth D. "Blood Marks the Spot Where Poor Ellen Was Found: Violent Crime in Bluegrass Music." 15.3 (1991): 95-116.