Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.

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S

Saha, Anamik. "Negotiating the Third Space: British Asian Independent Record Labels and the Cultural Politics of Difference." 34.4 (2011): 437-454.

Samponaro, Philip. "'Oye Mi Canto' ('Listen to My Song'): The History and Politics of Reggaetón." 32.4 (2009): 489-506.

Sanga, Imani. "Music and the Regulatory Regimes of Gender and Sexuality in Tanzania." 34.3 (2011): 351-368.

Sanjek, David. "A Department of Their Own: A Modest Proposal for the Design of Music Business and Technology Programs." 16.4 (1992): 41-60.

-----. "Funkentelechy vs. the Stockholm Syndrome: The Place of Industrial Analysis in Popular Music Studies." 21.1 (1997): 77-98.

-----. "The Best Books on Popular Music since 1971: A Bibliography." 21.1 (1997): 127-32.

-----. "Paying the Cost to Be the Boss." 23.3 (1999): 25-28.

Santelli, Robert. "The Rock and Roll Hall of Fame Museum." 21.1 (1997): 105-08.

Sarbanes, Janet. "Musicking and Communitas: The Aesthetic Mode of Sociality in Rebetika Subculture." 29.1 (2006): 17-36.

Schaefer, Nancy A. "'Oh, You Didn't Think Just the Devil Writes Songs, Do Ya?'--Music in American Evangelical Culture Today." 35.1 (2012): 53-70.

Scheick, William J. "Who's Next: A Reappraisal." 3.1 (1974): 41-45.

Scheurer, Timothy E. "The Beatles, the Brill Building, and the Persistence of Tin Pan Alley in the Age of Rock." 20.4 (1996): 89-102.

-----. "John Williams and Film Music since 1971." 21.1 (1997): 63-78.

Schilt, Kristen. "'A Little Too Ironic': The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians." 26.1 (2003): 5-16.

Schlattmann, Tim. "Traditional, Non-traditional, Emotionally/Behaviorally Disturbed Students and Popular Music Lyrics." 13.1 (1989): 23-36.

-----. "From Disco Divas to the Material Girls: Who's Ruling the Charts?" 15.4 (1991): 1-14.

Schlattmann, Tim, and Dennis Phillips. "MTV and the New Artist: Bullet, Breaker, or Bust?" 15.4 (1991): 15-24.

Schmidt, Arthur. "Our Lady fo the Canyon." 2.4 (1973): 34-45.

Schmidt, Mathias R. "The Opposition to Nuclear Energy as a Song-Writing Impetus." 8.1 (1981): 32-42.

Schmutz, Vaughn, Alex van Venrooij, Susanne Janssen, and Marc Verboord."Change and Continuity in Newspaper Coverage of Popular Music Since 1955: Evidence from the United States, France, Germany, and the Netherlands." 33.4 (2010): 501-516.

Schoenecke, Michael. "Harry Chapin and American Culture." 12.1 (1988): 17-24.

Schreffler, Gibb. "Migration Shaping Media: Punjabi Popular Music in Global Historical Perspective." 35.3 (2012): 333-358.

Scodari, Christine. "Johnny Got His Gun, Wartime Songs of Pacifism, Patriotism and Life Style in 20th-Century American Culture." 18.1 (1994): 1-18.

Scott, John. "On the Way to Burma Shave: Tom Waits & Ballad Form." 7.2 (1980): 103-14.

Sellnow, Deanna D., and Timothy J. Sellnow. "The Human Relationship from Idealism to Realism: An Analysis of the Music of Bruce Springsteen." 14.3 (1990): 71-88.

Serazio, Michael. "The Apolitical Irony of Generation Mash-Up: A Cultural Case Study in Popular Music." 31.1 (2008): 79-94.

Sernoe, Jim. "'Here You Come Again': Country Music's Performance on the Pop Singles Charts from 1955 to 1996." 22.1 (1998): 17-40.

-----. "'Now We're on the Top, Top of the Pops': The Performance of 'Non-Mainstream' Music on Billboard's Albums Charts, 1981-2001." 28.5 (2005): 639-662.

Seroff, Doug. "'A Voice in the Wilderness': The Fisk Jubilee Singers' Civil Rights Tours of 1879-1882." 25.1-2 (2001): 131-178.

Sevik, Greg. "What Price, Fame?" 25.3-4 (2001): 85-90.

Sexton, Jamie. "Weird Britain in Exile: Ghost Box, Hauntology, and Alternative Heritage." 35.4 (2012): 561-584.

Shahan, Cyrus. "The Sounds of Terror: Punk, Post-Punk, and the RAF After 1977." 34.3 (2011): 351-368.

Shain, Russell E., and Kent Higgins. "Middle-Class Delinquents and Popular Music: A Pilot Study." 2.1 (1972): 33-42.

Sheinkopf, Kenneth G., and Mark R. Weintz. "The Beatles are Dead! Long Live the Beatles!" 2.4 (1973): 321-26.

Shelton, Marla L. "Can't Touch This! Representations of the African American Female Body in Urban Rap Videos." 21.3 (1997): 107-116.

Shevory, Thomas C. "Bleached Resistance: The Politics of Grunge." 19.2 (1995): 23-48.

Shields, Steve. "KQLZ-FM Private Radio's Musical Swagger." 17.3 (1993): 77-85.

Sicoli, M. L. Corbin. "Women Winners: Major Popular Music Awards." 13.1 (1989): 99-102.

-----. "Mid Life Music: Mid Life Message?" 15.1 (1991): 69-80.

-----. "The Role of the Woman Songwriter in Country Music." 18.2 (1994): 35-42.

Simmons, Brian K. "The Effect of Censorship on Attitudes Toward Popular Music." 16.4 (1992): 61-68.

Simonett, Helena. "Popular Music and the Politics of Identity: The Empowering Sound of Technobanda." 24.2 (2000): 1-24.

Singletary, Michael W. "Some Perceptions of the Lyrics of Three Types of Recorded Music: Rock, Country and Soul." 9.3 (1983): 51-64.

Skipper, James K., Jr. "How Popular is Popular Music?: Youth and Diversification of Musical Preferences." 2.2 (1973): 145-54.

-----. "Count Basic 1977: Performance and Interview." 6.1 (1978): 64-67.

-----. "Shortchanging Jazz: A Commentary." 8.3-4 (1982): 117-20.

-----. "Some Further Thoughts on 'Shortchanging Jazz': A Reply and Amplification." 8.3-4 (1982): 123-28.

-----. "Dizzy Gillespie 1984: Performance, Interview and Comment." 9.4 (1984): 35-40.

-----. "Nicknames, Folk Heroes and Jazz Musicians." 10.4 (1986): 51-62.

Skipper, James K., Jr., and Paul L. Leslie. "Nicknames and Blues Singers Part I: Frequency of Use 1890-1977." 12.1 (1988): 37-48.

-----. "Nicknames and Blues Singers 1890-1977, Part II: Classification and Analysis." 13.3 (1989): 29-44.

Sloop, John M. "The Emperor's New Makeup: Cool Cynicism and Popular Music Criticism." 23.1 (1999): 51-74.

Smart, Nick. "Nothing But Affection for All Those Who've Sailed with Me: Bob Dylan from Place to Place." 32.2 (2009): 179-198.

Smith, John. "Interview: Waylon Jennings' Discography." 3.2 (1974): 109-17.

Smith, Tom W. "Generational Differences in Musical Preferences." 18.2 (1994): 43-60.

Solis, Gabriel. "I Did It My Way: Rock and the Logic of Covers." 33.3 (2010): 297-318.

Solomon, Jon. "Sting in the Tradition of the Lyric Poet." 17.3 (1993): 33-42.

Sorrell, Richard S. "My Life Was Saved by Rock & Roll: Personal Reflections on the Age of Rock Music." 15.1 (1991): 81-90.

Spicer, Richard C. "Popular Song for Public Celebration in Federal Portsmouth, New Hampshire." 25.1-2 (2001): 1-100.

Steingo, Gavin. "South African Music After Apartheid: Kwaito, the 'Party Politic,' and the Appropriation of Gold as a Sign of Success." 28.3 (2005): 333-358.

Stephens, Vincent. "Shaking the Closet: Analyzing Johnny Mathis's Sexual Elusiveness, 1956-1982." 33.5 (2010): 597-624.

Stevens, Charles. "Traditions and Innovations in Jazz." 18.2 (1994): 61-78.

Stevens, John, and Hazen Schumacher. "Jazzing the Language." 11.1 (1987): 1-6.

Stilwell, Robynn J. "In the Air Tonight: Text, Intertextuality, and the Construction of Meaning." 19.4 (1995): 67-104.

Stipp, Horst. "Children's Knowledge of and Taste in Popular Music." 10.2 (1985): 1-15.

Stith, Rodney W., and Ik-Whan Kwon. "Discriminant Analysis Approach to the Measurement of Commercial Performance of Contemporary Popular Music." 15.4 (1991): 33-46.

Stratton, Jon. "Reconciling Contradictions: the Role of the Artist and Repertoire Person in the British Record Industry." 8.2 (1981): 90-100.

-----. "The Triffids: The Sense of a Place." 30.3 (2007): 377-400.

Studwell, William E. "American College Fight Songs: History and Historiography." 19.3 (1995): 125-30.

Styvén, Maria. "The Intangibility of Music in the Internet Age." 30.1 (2007): 53-74.

-----. "Intergenerational Flow of Popular Music: The Positive Example of Glenn Miller." 21.4 (1997): 1-6.

Sui-jin, Leng. "The Shock of Hong Kong and Taiwan Popular Songs." 15.2 (1991): 23-32.

Svec, Henry Adam. "Who Don't Care If the Money's No Good? Authenticity and The Band." 35.3 (2012): 427-446.

Sweet, Stephen. "Bluegrass Music and Its Misguided Representation of Appalachia." 20.3 (1996): 37-52.

Swiss, Thomas. "Representing Rock, Poetry and Popular Music." 18.2 (1994): 1-12.

Székely, Michael. "Pushing the Popular, or Toward a Compositional Popular Aesthetics." 29.1 (2006): 91-108.

Szemere, Anna. "Subcultural Politics and Social Change: Alternative Musical in Postcommunist Hungary." 20.2 (1996): 19-42.