Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.

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P

Papayanis, Marilyn Adler. "Feeling Free and Female Sexuality: The Aesthetics of Joni Mitchell." 33.5 (2010): 641-657.

Parsons, Patrick R. "The Changing Role of Women Executives in the Recording Industry." 12.4 (1988): 31-42.

Passman, Arnold. "Jack Cooper: The First Black Disc Jockey." 16.2 (1992): 43-50.

-----. "When Deejays Were Forbidden." 16.2 (1992): 51-54.

Pattacini, Melissa McCray. "Deadheads Yesterday and Today: An Audience Study." 24.1 (2000): 1-14.

Pecora, Norma, and Sharon R. Mazzarella. "Kurt Cobain, Generation X, and the Press: College Students Respond." 19.2 (1995): 3-22.

Pedelty, Mark. "Woody Guthrie and the Columbia River: Propaganda, Art, and Irony." 31.3 (2008): 329-356.

Penney, Joel. "'We Don't Wear Tight Clothes': Gay Panic and Queer Style in Contemporary Hip Hop." 35.3 (2012): 321-332.

Perchard, Tom. "Hugues Panassié Contra Walter Benjamin: Bodies, Masses, and the Iconic Jazz Recording in Mid-Century France." 35.3 (2012): 375-398.

Percival, J. Mark. "Music Radio and the Record Industry: Songs, Sounds, and Power." 34.4 (2011): 455-474.

Pessen, Edward. "Tin Pan Alley's Many Ways of Love, 1920-1945." 14.4 (1990): 39-47.

Peterson, Jon Brian, and Peter G. Christenson. "Political Orientation and Music Preference in the 1980s." 11.4 (1987): 1-18.

Peterson, Richard A. "The Unnatural History of Rock Festivals: An Instance of Media Facilitation." 2.2 (1973): 97-123.

-----. "Popular Music Is Plural." 21.1 (1997): 57-62.

Peterson, Richard A., and Russell B. Davis, Jr. "The Contemporary American Radio Audience." 3.4 (1974): 299-314.

-----. "The Contemporary American Radio Audience." 6.2 (1978): 169-84.

Peterson, Richard A., and Bruce A. Beal. "Alternative Country: Origins, Music, Worldview, Fans, and Taste in Genre Formation--A Discographic Essay." 25.1-2 (2001): 233-249.

Phillips, Dennis D., and Tim Schlattmann. "Strip Mining for Gold and Platinum: Record Sales and Chart Performance Pre- and Post-MTV." 14.1 (1990): 85-96.

Pichaske, David R. "Poetry, Pedagogy, and Popular Music: Renegade Reflections." 23.4 (1999): 83-104.

-----. "Dylan and Minnesota Place in an Era of Virtual Reality." 32.2 (2009): 147-166.

Planer, John H. "Function in the Country Song 'Tight Fittin' Jeans.'" 14.3 (1990): 27-50.

Plasketes, George. "Great Balls of Fire." 13.3 (1989): 75-80.

-----. "From Post Office to Oval Offic, Idolatry and Ideology in the 1992 Presleydential Elections." 18.1 (1994): 19-50.

-----. "Look What They've Done to My Song: Covers and Tributes, and Annotated Discography, 1980-1995." 19.1 (1995): 79-106.

-----. "My Back Pages: Reflections on Rick(y), Rock Reunions, and Writing Record Reviews." 21.1 (1997): 143-52.

-----. "The Long Ryder: From Studio Sessions and Solo Artist to Score and Soundtrack Specialist: Ry Cooder's Musicological Quest." 22.2 (1998): 49-66.

-----. "Things to Do in Littleton When You're Dead: A Post-Columbine Collage." 23.3 (1999): 9-24.

-----. "Warren Zevon (1947-2003). The Grim and Grin Reaper in the Songwriters' Neighborhood: From A to Zevon." 28.1 (2005): 95-110.

-----. "Re-flections on The Cover Age: A Collage of Continuous Coverage in Popular Music." 28.2 (2005): 137-162.

Plasketes, George, and Julie Grace Plasketes. "From Woodstock Nation to Pepsi Generation: Reflections on Rock Culture and the State of Music, 1969-Present." 11.2 (1987): 225-52.

Plumpp, Sterling D. "Four Poems." 14.2 (1990): 67-76.

Pond, Irina. "Soviet Rock Lyrics: Their Content and Poetics." 11.4 (1987): 75-92.

Powers, Devon. "Rock Criticism's Public Intellectuals." 33.4 (2010): 533-548.

-----. "Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype." 34.2 (2011): 203-220.

Powers, Michael. "The Rolling Stones: Danceable Mythic Satire." 10.1 (1985): 43-50.

Pratt, Ray. "The Politics of Authenticity in Popular Music: The Case of the Blues." 10.3 (1986): 55-78.

-----. "Is a Dream a Lie If It Don't Come True, or Is It Something Worse?: A Commentary on Political Implications of the Springsteen Phenomenon." 11.1 (1987): 51-74.

-----. "Popular Music, Free Space, and the Quest for Community." 13.4 (1989): 59-76.

Prevos, Andre J. M. "Singing Against Hunger: French and American Efforts and Their Results." 11.3 (1987): 57-74.

-----. "Hip-Hop, Rap, and Repression in France and in the United States." 22.2 (1998): 67-84.

-----. "'In It For the Money': Rap and Business Cultures in France." 26.4 (2003): 445-462.

Price, Dan. "Bibliography of Bob Dylan." 3.3 (1974): 227-41.

Prouty, Kenneth E. "Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation." 29.3 (2006): 317-334.

Pruter, Robert. "A History of Doo-wop Fanzines." 21.1 (1997): 11-44.

Putnam, Michael T. "Music as a Weapon: Reactions and Responses to R.A.F. Terrorism in the Music of Ton Steine Scherben and Their Successors in Post-9/11 Music." 32.5 (2009): 595-606.

Putnam, Michael T. and John T. Littlejohn. "National Socialism with Fler? German Hip Hop from the Right." 30.4 (2007): 453-468.

Pyle, Robin Lea. "Elvis Presley and the Western Performing Artist's Unrecognized Role as Social and Self-Healer: Issues of Transformation and Addiction." 13.4 (1989): 7-16.