Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y-Z

M

MacDonald, Fred. "An Interview with Bud Freeman." 3.4 (1974): 329-37.

MacDonald, J. Frederick. "'Hot Jazz', the Jitterbug, and Misunderstanding: The Generation Gap in Swing 1935-1945.

Mackey-Kallis, Susan. "'How Long to Sing This Song?' The Rhetorical Vision of U2's 'Holy' Community." 14.3 (1990): 51-58.

MacLeod, Bruce. "Facing the Muzak." 7.1 (1979): 18-31.

Madeira, Angelica. "Rhythm and Irreverance (Notes about the rock music movement in Brasilia)." 15.4 (1991): 57-70.

Madrid, Alejandro L. "Imagining Modernity, Revising Tradition: Nor-tec Music in Tijuana and Other Borders." 28.5 (2005): 595-618.

Malamud, Jules. "The Merchandising of Music." 2.4 (1973): 291-96.

Manuel, Jeffrey T. "The Sound of the Plain White Folk? Creating Country Music's 'Social Origins.'" 31.4 (2008): 417-431.

Manuel, Peter. "Gender Politics in Caribbean Popular Music: Consumer Perspectives and Academic Interpretation." 22.2 (1998): 11-30.

Marquis, Alice Goldfarb. "Jazz Goes to College: Has Academic Status Served the Art?" 22.2 (1998): 117-124.

Marsden, Michael T. "Da Yoopers: Business Poets of Michigan's Upper Peninsula." 18.4 (1994): 1-6.

Martin, Christopher. "Traditional Criticism of Popular Music and the Making of a National Lip-synching Scandal." 17.4 (1993): 65-84.

Mates, Julian. "Some Early American Musical Stage Forms." 13.2 (1989): 67-76.

Mattern, Mark. "Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music." 22.2 (1998): 31-48.

Matula, Theodore. "Pow! to the People: The Make-Up's Reorganization of Punk Rhetoric." 30.1 (2007): 19-38.

Mazzarella, Sharon R. "The Voice of a Generation? Media Coverage of the Suicide of Kurt Cobain." 19.2 (1995): 49-68.

Mazzarella, Sharon R., and Jan Muto. "Ripped Jeans and Faded Flannel: Grunge, Youth, and Communities of Alienation." Foreword. 19.2 (1995): 1-2.

McCann, Anthony. "Opportunities of Resistance: Irish Traditional Music and the Irish Music Rights Organisation 1995-2000." 35.5 (2012): 651-682.

McCourt, Tom. "Bright Lights, Big City: A Brief History of Rhythm and Blues, 1945-1957." 9.2 (1983): 1-18.

McDonald, Chris. "Open Secrets: Individualism and Middle-Class Identity in the Songs of Rush." 31.3 (2008): 313-328.

McDonald, James R. "Bob Dylan: Biograph-A Journey into Life." 10.3 (1986): 91-94.

-----. "Farm Aid: A Publicity Event." 10.3 (1986): 95-98.

-----. "Dylan's Back-Again." 11.2 (1987): 95-98.

-----. "Suicidal Rage: An Analysis of Hardcore Punk Lyrics." 11.3 (1987): 91-102.

-----. "White Businessman: The Influence and Career of Paul Butterfield." 13.2 (1989): 39-45.

-----. "Bob Dylan Finds Mercy." 14.3 (1990): 109-12.

-----. "Rock and Memory: A Search for Meaning." 17.3 (1993): 1-18.

McDonnell, Judith. "Jackson Browne." 4.4 (1975): 242-50.

-----. "Rap Music: Its Role as an Agent of Change." 16.3 (1992): 89-108.

McGee, Kristin. "The Feminization of Mass Culture and the Novelty of All-Girl Bands: The Case of the Ingenues." 31.5 (2008): 629-662.

McIntosh, Heather. "Music Video Forerunners in Early Television Programming: A Look at WCPO-TV's Innovations and Contributions in the 1950s." 27.3 (2004): 259-272.

McLean, Polly E. "Age Ain't Nothing But a Number: A Cross-Cultural Reading of Popular Music in the Construction of Sexual Expression Among At-Risk Adolescents." 21.2 (1997): 1-16.

-----. "Calypso and Revolution in Grenada." 10.4 (1986): 87-100.

McLeese, Don. "Sir Douglas Sahm and the Garage as Big as Texas." 29.4 (2006): 441-450.

-----. "Seeds Scattered by Katrina: The Dynamic of Disaster and Inspiration." 31.2 (2008): 213-220.

-----. "Straddling the Cultural Chasm: The Great Divide Between Music Criticism and Popular Consumption." 33.4 (2010): 433-448.

McLeod, Kembrew. "Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist-Academic." 28.1 (2005): 79-94.

-----. "MP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly." 28.4 (2005): 521-532.

McLeod, Ken. "'We are the Champions': Masculinities, Sports and Popular Music." 29.5 (2006): 531-548.

McMichael, Polly. "Prehistories and Afterlives: The Packaging and Repackaging of Soviet Rock." 32.3 (2009): 331-350.

McSwain, Rebecca. "The Power of the Electric Guitar." 19.4 (1995): 21-40.

Meckna, Michael. "Louis Armstrong in the Movies, 1931-1969." 29.3 (2006): 359-374.

Meier, Leslie M. "Promotional Ubiquitous Musics: Recording Artists, Brands, and 'Rendering Authenticity'." 34.4 (2011): 399-416.

Meizel, Katherine."Making the Dream a Reality (Show): The Celebration of Failure in American Idol." 32.4 (2009): 475-488.

Mellon, Gary Warren, and Mary Lou Galician. "A Sociological Approach to the Pop Music Phenomenon: Radio and Music Video Utlization for Expectation, Motivation, and Satisfaction." 11.3 (1987): 35-46.

Mercer-Taylor, Peter. "Two-and-a-Half Centuries in the Life of a Hook." 23.2 (1999): 1-16.

Merchant, Tanya. "Popping Tradition: Performing Maqom and Uzbek 'National' Estrada in the 21st Century." 32.3 (2009): 371-386.

Messner, Beth A., Art Jipson, Paul J. Becker, and Bryan Byers. "The Hardest Hate: A Sociological Analysis of Country Hate Music." 30.4 (2007): 513-532.

Meyer, Donald C. "The Real Cooking is Done in the Studio: Toward a Content for Rock Criticism." 19.1 (1995): 1-16.

Miller, Richard. "The Music of Our Sphere: Apocalyptic Visions in Popular Music of the Eighties." 11.3 (1987): 75-90.

Mitchell, Tony. "Flat City Sounds: A Cartography of the Christchurch Music Scene." 21.3 (1997): 83-106.

-----. "Doin' Damage in My Native Language: The Use of 'Resistance Vernaculars' in Hip Hop in France, Italy, and Aotearoa/New Zealand." 24.3 (2000): 41-54.

Mizerski, Richard, Marya J. Pucely, Pamela Perrewe, and Lori Baldwin. "An Experimental Evaluation of Music Involvement Measures and Their Relationship with Consumer Purchasing Behavior." 12.3 (1988): 79-96.

Moberg, Marcus. "Religion in Popular Music or Popular Music as Religion? A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture." 35.1 (2012): 113-130.

Mondak, Jeffrey J. "Protest Music as Political Persuasion." 12.3 (1988): 25-38.

-----. "Cultural Heterogeneity in Capitalist Society: In Defense of Repetition on the Billboard Hot 100." 13.3 (1989): 45-58.

Montague, Eugene. "From Garahge to Garidge: The Appropriation of Garage Rock in the Clash's 'Garageland' (1977)." 29.4 (2006): 427-440.

Mooney, Hugh. "Just Before Rock: Pop Music 1950-1953 Reconsidered." 3.2 (1974): 65-108.

-----. "Disco: A Style for the 1980s?" 7.2 (1980): 84-94.

-----. "Twilight of the Age of Aquarius? Popular Music in the 1970s." 7.3 (1980): 182-98.

Mooney, Hughson. "Popular Music Before Ragtime, 1840-1890: Some Implications for the Study of American Culture." 5.1 (1977): 43-60.

-----. "Commercial 'Country' Music in the 1970s: Some Social and Historical Perspectives." 7.4 (1980): 208-13.

-----. "Years of Strain and Stress: 1917-1929." 12.2 (1988): 1-20.

Mooney, Hughson F. "Rock as an Historical Phenomenon." 1.3 (1972): 129-43.

Morris, Daniel. "Whose Life Is Saved by Rock and Roll?: An Essay on the Lyrics of Lou Reed." 16.3 (1992): 23-30.

Morris, Kenneth E. "Sometimes It's Hard to Be a Woman: Reinterpreting a Country Music Classic." 16.1 (1992): 1-12.

Morris, Robin A. "A Place That You Can Call Home." 32.2 (2009): 167-178.

Morrow, Melinda. "'But Beavis, Everything Does Suck': Watching Beavis and Butt-head Watch Videos." 23.3 (1999): 31-40.

Mosher, Craig. "Ecstatic Sounds: The Influence of Pentacostalism on Rock and Roll." 31.1 (2008): 95-112.

Mosher, Harold F., Jr. "The Lyrics of American Pop Music: A New Poetry." 1.3 (1972): 167-76.

Motley-Carcache, Marian. "Kris Kristofferson's Pilgrims: Who's to Bless and Who's to Blame?" 12.1 (1988): 49-52.

Muikku, Jari. "On the Role and Tasks of a Record Producer." 14.1 (1990): 25-34.

Mullen, Kenneth. "Audience Orientation and the Occupational Rhetoric of Public House Performers." 11.1 (1987): 15-30.

Murdock, Graham, and Guy Phelps. "Responding to Popular Music: Criteria of Classification and Choice Among English Teenagers." 1.3 (1972): 144-51.

Muto, Jan. "He Was the Woman of His Dreams: Identity, Gender, and Kurt Cobain." 19.2 (1995): 69-85.

Myer, Letrez A. and Christine A. Kleck. "From Independent to Corporate: A Political Economic Analysis of Rap Billboard Toppers." 30.2 (2007): 137-148.

Myers, Ted. "The Making of Four Decades of Folk Rock: Anatomy of a Box Set." 30.5 (2007): 639-650.