Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y-Z

L

Lafrance, Marc, Lara Worcester, and Lori Burns, "Gender and the Billboard Top 40 Charts Between 1997 and 2007." 34.5 (2011): 557-570.

Laing, Dave. "'The World's Best Rock Read': Let It Rock 1972-1975." 33.4 (2010): 449-464.

-----. "Copyright in the Balance: Notes on Some 21st-Century Developments." 35.5 (2012): 617-628.

Lampman, Richard A. "The Metaphysics of Automated Rock Radio." 7.3 (1980): 159-64.

Lareau, Alan. "Lavender Songs: Undermining Gender in Weimar Cabaret and Beyond." 28.1 (2005): 15-34.

Larkey, Edward. "Just For Fun? Language Choice in German Popular Music." 24.3 (2000): 1-20.

Leary, Jim. "'Pretty Boy Floyd,' An Aberrant Outlaw Ballad." 3.3 (1974): 215-26.

Leeder, Murray and Ira Wells. "Dylan's Floods." 32.2 (2009): 211-228.

Le Menestrel, Sara and Jacques Henry, "'Sing Us Back Home': Music, Place, and the Production of Locality in Post-Katrina New Orleans." 33.2 (2010): 179-202.

Lemish, Dafna. "Spice World: Constructing Femininity the Popular Way." 26.1 (2003): 17-30.

Lenig, Stuart. "The Theatre of Rock." 17.1 (1993): 1-22.

Leslie, Paul L., and James K. Skipper, Jr. "Big Bands and Big Band Music: Embedded Popular Culture." 17.1 (1993): 23-26.

Levine, Mark H., and Thomas J. Harig. "The Role of Rock: A Review and Critique of Alternative Perspectives on the Impact of Rock Music." 4.4 (1975): 195-207.

Levine, Mark H., and R. Serge Denisoff. "Demographic Variable and Record Ownership by Collegiates: A Research Note." 1.2 (1972): 94-107.

Lewis, George. "Popular Music and Research Design: Methodological Alternatives." 1.2 (1972): 108-15.

-----. "Positive Deviance: A Labeling Approach to the Star Syndrome in Popular Music." 8.2 (1982): 73-83.

Lewis, George H. "Social Protest and Self Awareness in Black Popular Music." 2.4 (1973): 327-33.

-----. "Cultural Socialization and the Development of Taste Cultures and Culture Classes in American Popular Music: Existing Evidence and Proposed Research Directions." 4.4 (1975): 226-41.

-----. "Social Class and Cultural Communication: An Analysis of Song Lyrics." 5.1 (1977): 23-30.

-----. "Take Out My Guitar and Play: Recruitment of Popular Music Performers." 7.1 (1979): 32-36.

-----. "The Sociology of Popular Music: A Selected and Annotated Bibliography." 7.1 (1979): 57-68.

-----. "Popular Music, Musical Preference and Drug Use Among Youth." 7.3 (1980): 176-81.

-----. "Towards a Uses and Gratifications Approach: An Examination of Commitment and Involvement in Popular Music." 8.1 (1981): 10-18.

-----. "Dimensions of the Popularity: A Comparison of Billboard and the Gavin Report Singles Charts, 1970-1979." 9.2 (1983): 54-60.

-----. "Mapping the Fault Lines: The Core Values Trap in Country Music." 9.4 (1984): 7-16.

-----. "Music, Culture and the Hawaiian Renaissance." 10.3 (1986): 47-54.

-----. "Give Yourself to Love: The Music of Kate Wolf." 12.4 (1988): 75-78.

-----. "Creativity and the Making of Music Videos: An Interview with Lynn Kippax, Jr." 13.2 (1989): 77-90.

-----. "Different Shoes: Creating Regional Music in Maine." 13.3 (1989): 59-62.

-----. "Tied to the Land: The Interaction of Popular and Folk Elements in Regionally Based Music." 14.3 (1990): 59-70.

-----. "Ghosts, Ragged but Beautiful: Influences of Mexican Music on American Country-Western & Rock 'n' Roll." 15.4 (1991): 85-103.

-----. "Go Down Swingin': The Music of Dirk Hamilton." 17.2 (1993): 113-15.

-----. "Lady in Satin: Billie Holiday and the Invention of Identity." 18.4 (1994): 96-100.

-----. "Taste Cultures and Musical Stereotypes: Mirrors of Identity?" 19.1 (1995): 37-58.

-----. "Across the Borderline: The Outlaws of Country Music." 20.4 (1996): 157-60.

-----. "Won't Get Fooled Again: 25 Years of Pop Recordings and Reviews." 21.1 (1997): 117-26.

-----. "Traps, Troubles, and Social Issues: Country Music in the Social Science Classroom." 23.4 (1999): 61-82.

-----. "Crystal and Stone: The Mickey Newbury Collection." 24.1 (2000): 107-114.

Limeberry, John. "Did America View 'From a Distance' From a Distance: An Overview of Culture and Popular Music from Vietnam to the Persian Gulf." 16.3 (1992): 75-87.

-----. "Idealism Down on the Farm: Is the Rhetoric of Country Music Changing?" 18.3 (1994): 35-51.

Lipsitz, George. "Remembering Robert Johnson: Romance and Reality." 21.4 (1997): 39-50.

Lister, Linda. "Divafication: The Deification of Modern Female Pop Stars." 25.3-4 (2001): 1-10.

Littlejohn, John T. "Kraftwerk: Language, Lucre, and Loss of Identity." 32.5 (2009): 635-654.

Littlejohn, John T. and Michael T. Putnam, "Rammstein and Ostalgie: Longing for Yesteryear." 33.1 (2010): 35-44.

Lockheart, Paula. "A History of Early Microphone Singing, 1925-1939: American Mainstream Popular Singing at the Advent of Electronic Microphone Amplification." 26.3 (2003): 367-386.

Lohman, Laura. "Preservation and Politicization: Umm Kulthüm's National and International Legacy." 33.1 (2010): 45-60.

Lohof, Bruce A. "The Bacharach Phenomenon: A Study in Popular Heroism." 1.2 (1992): 73-82.

London, Herbert. "The Charles Reich Typology and Early Rock Music." 1.2 (1972): 65-72.

Lowe, Melanie. "Colliding Feminisms: Britney Spears, 'Tweens,' and the Politics of Reception." 26.2 (2003): 123-140.

Lupro, Michael Mooradian. "Preserving the Old Ways, Protecting the New: Post-War British Urban Planning in The Kinks Are the Village Green Preservation Society." 29.2 (2006): 189-200.

Lumer, Robert. "Pete Seeger and the Attempt to Revive the Folk Music Process." 15.1 (1991): 45-58.

Lund, Jens. "Country Music Goes to War: Songs for the Red-Blooded American." 1.4 (1972): 210-30.

Lunde, Nanette G. "'Tiptoe through the Tulips with Me': The Life and Songs of Joseph A. Burke." 19.1 (1995): 133-56.

Lyons, Julie, and George H. Lewis. "The Price You Pay: The Life and Lyrics of Bruce Springsteen." 9.1 (1983): 13-24.