Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y-Z

K

Kagan, Sheldon S. "Indepth Issue on Music and Technology; Faithful to the Original: The Compact Disc and Its Effect on Contemporary Music." 14.1 (1990): 13-18.

Kamin, Jonathan. "Taking the Roll out of Rock 'n' Roll: Reverse Acculturation." 2.1 (1972): 1-17.

-----. "The White R&B Audience and the Music Industry, 1952-56." 4.3 (1975): 170-87.

-----. "The White R&B Audience and the Music Industry, 1952-1956." 6.2 (1978): 150-68.

Kantor, Irwin. "This Thing Called Rock: An Interpretation." 3.3 (1974): 203-14.

Karpf, Juanita. "Populism with Religious Restraint: William B. Bradbury's Esther; the Beautiful Queen." 23.1 (1999): 1-30.

-----. "'Wild and Soul-Stirring': William Bradbury's Mountain Songs, 1847-1852." 25.1-2 (2001): 101-130.

-----. "Get the Pageant Habit: E. Azalia Hackley's Festivals and Pageants During the World War I Years, 1914-1918." 34.5 (2011): 517-556.

Kastin, David. "Nica's Story: The Life and Legend of the Jazz Baroness." 29.3 (2006): 279-298.

-----. "Fred Ho and the Evolution of Afro-Asian New American Multicultural Music." 33.1 (2010): 1-8.

Katz, Marco."Salsa Criticism at the Turn of the Century: Identity Politics and Authenticity." 28.1 (2005): 35-54.

-----. "Whirled Music While U Wait." 30.5 (2007): 631-638.

-----. "Hearing Through Our Eyes: Musical Archives and Authentic Performance." 31.4 (2008): 511-527.

Katz, Ytzhak. "Shooting and Crying the Politics of the Israeli Protest Music." 12.4 (1988): 1-6.

Kaufman, Will. "Remembrance and Resurrection: Ry Cooder's Chávez Ravine." 31.5 (2008): 617-628.

Kauppila, Paul. "The Sound of the Suburbs: A Case Study of Three Garage Bands in San Jose, California, During the 1960s." 28.3 (2005): 391-406.

Khan, Amir. "Michael Jackson's Ressentiment: Billie Jean and Smooth Criminal in Conversation with Fred Astaire." 35.2 (2012): 187-202.

King, Stephen A. "International Reggae, Democratic Socialism, and the Secularization of the Rastafarian Movement, 1972-1980." 22.3 (1998): 39-60.

-----. "Blues Tourism in the Mississippi Delta: The Functions of Blues Festivals." 27.4 (2004): 455-476.

Kirschner, Tony. "The Lalapalooziation of American Youth." 18.1 (1994): 69-90.

Kitts, Thomas M. "Think Visual: The Kinks vs. the Music Industry." 29.2 (2006): 241-254.

Kizer, Elizabeth J. "Protest Song Lyrics as Rhetoric." 9.1 (1983): 3-12.

Klein, Bethany. "In Perfect Harmony: Popular Music and Cola Advertising." 31.1 (2008): 1-20.

Klein, Christian. "A Multi-Level Analysis of Billy Joel's 'Goodnight Saigon.'" 15.3 (1991): 75-94.

Koch, Arne and Sei Harris."The Sound of Yourself Listening: Faust and the Politics of the Unpolitical." 32.5 (2009): 579-594.

Koger, Alicia Kae. "The Charlie Parker Phenomenon: A Critical Examination of Responses to the Life, the Man, and the Music." 15.3 (1991): 41-6.

Kohl, Paul R. "Reading Between the Lines: Music and Noise in Hegemony and Resistance." 21.3 (1997): 3-18.

-----. "A Splendid Time is Guaranteed for All: The Beatles as Agents of Carnival." 20.4 (1996): 81-88.

Kountz, Peter. "Frank Zappa and the Enterprise of Serious Contemporary." 4.1 (1975): 36-51.

Koval, Howard. "Homogenization of Culture in Capitalist Society." 12.1 (1988): 1-16.

Kraus, Michael J. "'The Greatest Rock Star of the Nineteenth Century?': Ray Davies, Romanticism, and the Art of Being English." 29.2 (2006): 201-212.

Kristen, Suzanne and Stephen Dine Young. "A Foreign Sound to Your Ear: The Influence of Bob Dylan's Music on American and German-Speaking Fans." 32.2 (2009): 229-248.

Kromhout, Melle Jan. "'Over the Ruined Factory There's a Funny Noise': Throbbing Gristle and the Mediatized Roots of Noise in/as Music." 34.1 (2011): 23-34.

Kruse, Holly. "Local Identity and Independent Music Scenes, Online and Off." 33.5 (2010): 625-640.

Kumanyika, Chenjerai. "Advertisement and the Construction of Decision-Making Power in MTV's Making the Band." 34.4 (2011): 475-492.

Kurtz, Howard. "Differences in Themes in Popular Music and Their Relationship to Deviance." 8.2 (1982): 84-89.

Kutnowski, Martin. "Trope and Irony in The Simpsons' Overture." 31.5 (2008): 599-616.

Kuwahara, Yasue. "I'm So Glad I'm Living in the U.S.A.: Chuck Berry's America." 13.4 (1989): 17-34.

-----. "Apocalypse Now!: Jim Morrison's Vision of America." 16.2 (1992): 55-66.