Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y-Z

G

Gantz, Walter, et al. "Gratifications and Expectations Associated with Pop Music among Adolescents." 6.1 (1978): 81-89.

Ganzert, Charles F. "Hot Clocks, Jingles, and Top Tunes: The Bartell Group Stations and the Development of Top 40 Radio." 21.4 (1997): 51-62.

Garafalo, Reebee, and Steve Chapple. "From ASCAP to Alan Freed: The Pre-history of Rock 'n' Roll." 6.1 (1978): 72-80.

Garman, Bryan. "The Ghost of History Bruce Springsteen, Woody Guthrie, and the Hurt Song." 20.2 (1996): 69-120.

Gass, Glenn. "Maria Elena Holly Interview." 16.2 (1992): 85-94.

Gengaro, Christine Lee."Requiems for a City: Popular Music's Response to 9/11." 32.1 (2009) 25-36.

Gerard, Morgan and Jack Sidnell. "Reaching Out to the Core: On the Interactional Work of the MC in Drum & Bass Performance." 24.3 (2000): 21-40.

Gieseen, Hans W. "The New German Nazism: Pop Song Text As Indicators." 19.1 (1995): 107-32.

Givan, Benjamin. "The South-Grappelli Recordings of the Bach Double Violin Concerto." 29.3 (2006): 335-358.

Glausser, Wayne. "Gotta Revolution, 1987: Grace Slick, Paul Kantner, and 'Volunteers of America.'" 12.2 (1988): 45-53.

Glickman, Simon. "An Interview with John Wesley Harding." 16.1 (1992): 21-30.

Goertzel, Ben. "The Rock Guitar Solo: From Expression to Simulation." 15.1 (1991): 91-102.

Goldschmitt, Kariann. "'Joga Bonito Pelo Mundo, Guerreiro': Music, Transmedia Advertising, and Brasilidade in the 2006 World Cup." 34.4 (2011): 417-436.

Goldstein, Richard M. "'I Enjoy Being a Girl': Women in the Plays of Rodgers and Hammerstein." 13.1 (1989): 1-8.

Gonczy, Daniel J. "The Folk Music Moement of the 1960s: Its Rise and Fall." 10.1 (1985): 15-32.

Gonzalez, Juan-Pablo. "Hegemony and Counter-Hegemony of Music in Latin-America: The Chilean Pop." 15.2 (1991): 63-78.

Goodwin, Andrew. "On Being a Professor of Pop." 21.1 (1997): 45-56.

Goodykoontz, Bill. "Into the Abyss: Ten Years after in Los Angeles." 3.3 (1974): 242-43.

Gortikov, Stanley M. "Does Musical Knowledge Belong in a College?" 2.4 (1973): 283-90.

Goshert, John Charles. "'Punk' After the Pistols: American Music, Economics, and Politics in the 1980s and 1990s." 24.1 (2000): 85-106.

Gottesman, Stephen N. "Tom Dooley's Children." 5.1 (1977): 61-78.

Gow, Joe. "Whatever Happened to DAT? The Development and Suppression of an Innovative Music Recording Technology." 14.1 (1990): 35-46.

-----. "The Relationship between Violent and Sexual Images and the Popularity of Music Videos." 14.4 (1990): 1-10.

-----. "The 'Trouble' with Digital Audio Tape." 16.1 (1992): 31-48.

-----. "Writing Rock Journalism: An Interview with Charles M. Young." 16.2 (1992): 67-74.

-----. "Political Themes in Popular Music Videos: MTV's 'Top 200, Ever.'" 18.4 (1994): 77-90.

-----. "Rockin', Rappin', and Religion: Programming Strategy on Z Music Television." 23.2 (1999): 17-28.

Grabe, Maria Elizabeth. "Massification Revisited: Country Music and Demography." 21.4 (1997): 63-84.

Grady, Lionel, and Richard Baxter. "Attitudes about the Business Community as Expressed in the Popular Music of 1983." 10.1 (1985): 51-58.

Graham, James D. "Rhythms in Rock Music." 1.1 (1971): 33-43.

Granade, S. Andrew. "'So Here's Us on the Raggedy Edge': Exoticism and Identification in Joss Whedon's Firefly." 34.5 (2011): 621-638.

Grant, Barry Keith. "'Jungle Nights in Harlem': Jazz, Ideology and the Animated Cartoon." 13.4 (1989): 45-58.

-----. "Purple Passages or Fiestas in Blue? Notes toward an Aesthetic of Vocalese." 18.1 (1994): 125-43.

Gray, Herman. "Independent Cultural Production: The Case of a Jazz Recording Company." 10.3 (1986): 1-16.

-----. "Rate the Records: Symbolic Conflict, Popular Music, and Social Problems." 13.3 (1989): 5-16.

Gray, Patrick. "Rock as a Chaos Model Ritual." 7.2 (1980): 75-83.

Greene, Paul D., and David R. Henderson. "At the Crossroads of Languages, Musics, and Emotions in Kathmandu." 24.3 (2000): 95-116.

Gridley, Mark C. "Clarifying Labels: Jazz Rock, Funk and Jazz-Rock." 9.2 (1983): 27-34.

-----. "Why Have Modern Jazz Combos Been Less Popular than Swing Big Bands?" 9.4 (1984): 41-46.

Groce, Stephen B. "On the Outside Looking In: Professional Socialization and the Process of Becoming a Songwriter." 15.1 (1991): 33-44.

-----. "The Sociology of Popular Music: A Selected and Annotated Bibliography of Recent Work." 16.1 (1992): 49-80.

Groce, Stephen B., and John A. Dowell. "A Comparison of Group Structures and Process in Two Local Level Rock 'n' Roll Bands." 12.2 (1988): 21-36.

Groce, Stephen G., and John Lynswiler. "The Silent Performance, Audience Perceptions of Musicians' Nonverbal Behavior." 18.1 (1994): 105-24.

Groemling, Todd. "9 1/2 Weeks." 14.1 (1990): 109.

Groom, Nick. "Please Wash Your Hands before Leaving the 20th Century." 19.1 (1995): 157-68.

-----. "The Condition of Muzak." 20.3 (1996): 1-18.

Gunkel, Ann Hetzel. "The Polka Alternative: Polka as Counterhegemonic Ethnic Practice." 27.4 (2004): 407-428.

Gunkel, David J. "Rethinking the Digital Remix: Mash-Ups and the Metaphysics of Sound Recording." 31.4 (2008): 489-510.

-----. "What Does It Matter Who Is Speaking? Authorship, Authority, and the Mashup." 35.1 (2012): 71-92.

Gunn, Joshua. "Gothic Music and the Inevitability of Genre." 23.1 (1999): 31-50.