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Forthcoming Articles

Through Volume 37, Issue 5 (December 2014) - updated October 21, 2014

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q-R | S | T | U-V | W | Y-Z

F

Fairchild, Charles. "'Alternative' Music and the Politics of Cultural Autonomy: The Case of Fugazi and the D.C. Scene." 19.1 (1995): 17-35.

-----. "Building the Authentic Celebrity: The 'Idol' Phenomenon in the Attention Economy." 30.3 (2007): 355-376.

-----. "Revealing What We Can Never Know: The Problem of Real Life in Gus Van Sant's Last Days." 36.4 (2013): 523-539.

Faller, Greg S. "From Sitney to TV: Classical Experimental Style in Contemporary Music Videos." 20.1 (1996): 175-90.

faris, marc. "'That Chicago Sound': Playing with Identity in Underground Rock." 27.4 (2004): 429-454.

Farmelo, Allen. "Another History of Bluegrass: The Segregation of American Popular Music, 1820-1900." 25.1-2 (2001): 179-204

Farrington, Holly E. "Narrating the Jazz Life: Three Approaches to Jazz Autobiography." 29.3 (2006): 375-386.

Farrugia, Rebekah and Nancy Gobatto."Shopping for Legs and Boots: Tori Amos's Original Bootlegs, Fandom, and Subcultural Capital." 33.3 (2010): 357-376.

Fast, Susan. "Michael Jackson's Queer Musical Belongings." 35.2 (2012): 281-300.

Faust, Jeremy Samuel. "'When You Have to Say "I Do"': Orientalism in Michael Jackson's 'Liberian Girl'." 35.2 (2012): 223-240.

Fauteux, Brian. "'New Noise' versus the Old Sound: Manifestos and The Shape of Punk to Come." 35.4 (2012): 465-482.

Fenn, John, and Alex Perullo. "Language Choice and Hip Hop in Tanzania and Malawi." 24.3 (2000): 73-94.

Ferreira, Christine. "Like a Virgin: The Men Don't Know, but the Little Girls Understand." 11.2 (1987): 5-16.

-----. "The Soundtrack of our Lives." 13.4 (1989): 1-6.

Ferriano, Frank. "Harry Warren: Unsung Hollywood Tunesmith." 12.4 (1988): 7-14.

Fish, Duane R. "Serving the Servants: Analysis of the Music of Kurt Cobain." 19.2 (1995): 87-102.

Fisher, James. "Rediscovering the Art of Al Jolson, the Films of 'The World's Greatest Entertainer.'" 17.3 (1993):19-32.

Fitzgerald, Jon. "Lennon-McCartney and the 'Middle Eight.'" 20.4 (1996): 41-52.

-----. "Songwriters in the U.S. Top Forty 1963-1966." 21.4 (1997): 85-110.

-----. "When the Brill Building Met Lennon-McCartney: Continuity and Change in the Early Evolution of the Mainstream Pop Song." 19.1 (1995): 59-78.

-----. "Creating Those Good Vibrations: An Analysis of Brian Wilson's U.S. Top 40 Hits 1963-1966." 32.1 (2009): 3-24.

Fleiner, Carey. "Rebellion or Transformation: Dave Davies's Spiritual Journey from the 1960s to the Present--A Contextual Analysis." 29.2 (2006): 223-240.

-----. "The Influence of Childhood and Family on the Works of Ray and Dave Davies." 34.3 (2011): 329-350.

Flippo, Chet. "The History of Rolling Stone: Part II." 3.4 (1974): 258-80.

-----. "The History of Rolling Stone: Part III." 3.4 (1974): 281-98.

-----. "The Austin Scene and Willie Nelson: A Reconsideration." 6.4 (1979): 280-83.

Florine, Jane L. "Carlos Jimenez: Reflecting the Power of the People in Argentine Cuarteto Music." 22.3 (1998): 61-114.

Flynn, Leisa Reinecke, Jacqueline Kilsheimer Eastman, and Stephen J. Newell. "Predicting Rock Music Consumption Behaviors of Undergraduates: Demographic versus Psychological Variables." 17.4 (1993): 15-30.

Foley, Mike. "A Politics of Empathy: Johnny Cash, the Vietnam War, and the 'Walking Contradiction' Myth Dismantled." 37.3 (2014): 338-359.

Foret, Miroslav. "Music Preferences of Youth in Czechoslovak Socialist Republic in the 1980s." 13.3 (1989): 1-4.

-----. "Some Theoretical-Methodological Problems of the Research on Popular Music." 15.3 (1991): 1-10.

-----. "Sociological Aspects of Popular Music in Czechoslovakia in the Eighties." 14.4 (1990): 49-56.

Fornäs, Johan. "The Words of Music." 26.1 (2003): 37-52.

-----. "Exclusion, Polarization, Hybridization, Assimilation: Otherness and Modernity in the Swedish Jazz Age." 33.2 (2010): 219-236.

FornŠs, Johan, Ulf Lindberg, and Ove Sernhede. "Under the Surface of Rock --- Youth Culture and Late Modernity." 14.3 (1990): 1-26.

Forsyth, Alasdair and Martin Cloonan. "Alco-Pop? The Use of Popular Music in Glasgow Pubs." 31.1 (2008): 57-78.

Fox, Mark A. "E-Commerce Business Models for the Music Industry." 27.2 (June 2004): 201-220.

-----. "Market Power in Retailing: The Case of Wal-Mart." 28.4 (2005): 501-520.

Fox, Mark A. and Paul Kochanowski. "Models of Superstardom: An Application of the Lotka and Yule Distributions." 27.4 (2004): 507-522.

-----."Multi-Stage Markets in the Recording Industry." 30.2 (2007): 173-196.

Fox, William S., and Michael Wince. "Feminist Attitudes and Preferences for a Feminist 'Message' Song: A Research Note." 4.3 (1975): 156-69.

Freudiger, Patricia. "Love Lauded and Love Lamented: Men and Women in Popular Music." 6.1 (1978): 1.

Friedberg, Harris. "'Are You Popular?': Dating, Gender, and the Double Coding of Rock and Roll." 35.4 (2012): 501-518.

Friedlander, Paul David. "Rocking the Yangtze: Impressions of Chinese Popular Music and Technology." 14.1 (1990): 63-74.

Friesen, Bruce K., and Jonathon S. Epstein. "Rock 'n' Roll Ain't Noise Pollution: Artistic Conventions and Tensions in the Major Subgenres of Heavy Metal Music." 18.3 (1994): 1-18.

Fryer, Paul. "'Everybody's on Top of the Pops': Popular Music on British Television 1960-1985." 21.2 (1997): 71-90.

-----. "'Everybody's on Top of the Pops': Popular Music on British Television 1960-1985." (reprinted) 21.3 (1997): 153-171.

-----. "Local Styles and Country Music: An Introductory Essay." 8.3-4 (1982): 63-76.

-----. "It Hurts Me Too: This Is Blues and the Late 1960s British Blues Boom." 9.2 (1983): 45-53.

-----. "Punk and the New Wave of British Rock: Working Class Heroes and Art School Attitudes." 10.4 (1986): 1-16.

Fulk, Mark K., and Angela B. Howard. "What We Laugh about When We Laugh about Stephen Sondheim's Assassins." 19.3 (1995): 105-24.

Furmanovsky, Michael. "American Country Music in Japan: Lost Piece in the Popular Music History Puzzle." 31.3 (2008): 357-372.