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Through Volume 35, Issue 4 (October 2012) - updated October 15, 2012.
C Carlson, Thomas C. "The Comeback Corpse in Hollywood: Mystery Train, True Romance, and the Politics of Elvis in the '90s." 22.2 (1998): 1-10. Carney, Court. "New Orleans and the Creation of Early Jazz." 29.3 (2006): 299-316. Carney, George O. "Cowabunga! Surfer Rock and the Five Themes of Geography." 23.4 (1999): 3-30. Carpenter, Alexander. "The 'Ground Zero' of Goth: Bauhaus, 'Bela Lugosi's Dead,' and the Origins of Gothic Rock." 35.1 (2012): 25-52. Carter, Dale. "'What's Still Left of My Memory': Recovery and Reorientation in the Songs of Van Dyke Parks." 27.4 (2004): 387-406. Cary, Michael D. "Indepth Issue on the Blues: Political Dimensions of the Blues." 14.2 (1990): 37-48. Cathcart, Adam. "Japanese Devils and American Wolves: Chinese Communist Songs from the War of Liberation and the Korean War." 33.2 (2010): 203-218. Caw, Tom S. "Popular Music Studies Information Needs: You Just Might Find..." 27.1 (2004): 49-54. Cepeda, Marÿa Elena. "Mucho loco for Ricky Martin; or, The Politics of Chronology, Crossover, and Language Within the Latin(o) Music 'Boom'." 24.3 (2000): 55-72. Chell, Samuel L. "Jazz Aesthetics and Modern Literacy Criticism." 15.3 (1991): 67-74. Child, Ben. "Raised in the Country, Working in the Town: Temporal and Spatial Modernism in Bob Dylan's 'Love and Theft'." 32.2 (2009): 199-210. Christenson, Peter. "Preadolescent Perceptions and Interpretations of Music Videos." 16.3 (1992): 63-74. Christenson, Peter, and Thomas R. Lindlof. "The Role of Audio Media in the Lives of Children." 9.3 (1983): 25-40. Clark, William J. "The Kids Really Fit: Rock Text and Rock Practice in Bill Haley's Rock Around the Clock." 18.4 (1994): 57-76. Cloonan, Martin. "Popular Music and Censorship in Britain: An Overview." 19.3 (1995): 75-104. -----. "State of the Nation: 'Englishness,' Pop, and Politics in the Mid-1990s." 21.2 (1997): 47-70. Cogan, Brian and Gina Cogan. "Gender and Authenticity in Japanese Popular Music, 1980-2000." 29.1 (2006): 69-90. Condren, Robert. "Let It Bleed --- The Music in Goodfellas." 15.3 (1991): 131-36. Cook, Nicholas. "Sound Law and the Scholar." 35.5 (2012): 603-616. Cooper, B. Lee. "Discographies of Contemporary Music, 1965-1980: A Selected Bibliography." 7.4 (1980): 253-69. -----. "'It's A Wonder I Can Think At All': Vinyl Images of American Public Education, 1950-1980." 9.4 (1984): 47-66. -----. "Bear Cats, Chipmunks, and Slip-In Mules: The 'Answer Song.' In Contemporary American Recordings, 1950-1985. 12.3 (1988): 57-78. -----. "Rhythm 'n' Rhymes: Character and Theme Images from Children's Literature in Contemporary Recording, 1950-1985." 13.1 (1989): 53-72. -----. "Repeating Hit Tunes, A Cappella Style: The Persuasions as Song Revivalists, 1967-1982." 13.3 (1989): 17-28. -----. "Lee Rick Nelson." 13.4 (1989): 77-82. -----. "From Anonymous Announcer to Radio Personality, from Pied Piper to Payola: The American Disc Jockey, 1950-1970." 14.4 (1990): 89-96. -----. "Having a Screaming Ball in Dracula's Hall." 15.1 (1991): 103-06. -----. "I'll Fight for God, Country, and My Baby: Persistent Themes in American Wartime Songs." 16.2 (1992): 95-112. -----. "Sultry Songs as High Humor." 17.1 (1993): 71-86. -----. "The Coasters: What Was the Secret of Their Success?" 17.2 (1993): 115-18. -----. "Jackie Wilson --- Mr. Excitement?..." 17.2 (1993): 119-22. -----. "Awarding an 'A' Grade to Heavy Metal." 17.3 (1993): 99-102. -----. "The Drifters: From Gospel Glory to Rock Royalty." 17.4 (1993): 127-30. -----. "Popular Music in Print." 19.4 (1995): 105-12. -----. "Covering Recordings by Dot Artists." 20.2 (1996): 199-218. -----. "Revisiting Rhythm and Blues Royalty." 20.3 (1996): 119-22. -----. "It's Still Rock and Roll to Me: Reflections on the Evolution of Popular Music and Rock Scholarship." 21.1 (1997): 109-16. -----. "Wise Men Never Try: A Discography of Fool Songs, 1945-1995." 21.2 (1997): 115-132. -----. "A Telephone Song Discography." 21.4 (1997): 111-122. -----. "Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches." 22.2 (1998): 85-116. -----. "Women's Studies and Popular Music Stereotypes." 23.4 (1999): 31-44. -----. "Bibliography of Popular Music Teaching Resources." 23.4 (1999): 123-129. -----. "The Sky is Crying: Tales Told in Tearful Tunes." 27.1 (2004): 107-116. -----. "Ray Charles (1930-2004): Reflections on Legends." 28.1 (2005): 111-112. -----. "Tribute Discs, Career Development, and Death: Perfecting the Celebrity Product from Elvis Presley to Stevie Ray Vaughan." 28.2 (2005): 229-248. -----. "'Do You Know What It Means to Miss New Orleans?': Discovery, Dominance, and Decline in Crescent City Popular Music Influence, 1946-2006." 31.2 (2008): 151-190. -----. "Honky Tonks, Jukeboxes, and Wild, Wild Women: Audio Images of Blue-Collar Night Life--A Selected Discography." 31.5 (2008): 663-683. Cooper, B. Lee, Donald E. Walker, and William Schurk. "The Decline of Contemporary Baseball Heroes in American Popular Recordings." 15.2 (1991): 49-62. Cooper, B. Lee, and William L. Schurk. "Processing Health Care Images from Popular Resources: Cigarettes and Medical Metaphors in Contemporary Recordings." 17.4 (1993): 105-24. -----. "You're the Cream in My Coffee: A Discography of Java Jive." 23.2 (1999): 91-100. Cooper, B. Lee, Patty Falk, and William L. Schurk. "Accordions, Banjos, Coronets...and Zithers: Sound Recording Archives and Musical Instruments." 26.3 (2003): 387-398. Crane, Jonathan L. "The Long Arm of the Law and the Big Beat." 16.3 (1992): 1-8. Cullen, Jim. "Bruce Springsteen's Ambiguous Musical Politics in the Reagan Era." 16.2 (1992): 1-22. Cusic, Don. "Why Music Business Programs Should Not Be in Music Departments." 15.3 (1991): 117-22. -----. "Basic Differences: The British and American Music Industries." 15.4 (1991): 47-56. -----. "Qwerty, Nashville, and Country Music." 18.4 (1994): 41-56. -----. "In Defense of Cover Songs." 28.2 (2005): 171-178 Cutler, Cece. "Chanter en yaourt': Pop Music and Language Choice in France." 24.3 (2000): 117-134.
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