Through Volume 34, Issue 4 (October 2011) - updated January 3, 2012.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | R | S | T | U-V | W | Y-Z

B

Bailey, Steve. "Faithful or Foolish: The Emergence of the 'Ironic Cover Album' and Rock Culture." 26.2 (2003): 141-160.

Baker, Sarah. "Young People and Community Radio in the Northern Region of Adelaide, South Australia." 30.5 (2007): 575-590.

Banes, Ruth A. "Looking at the Blues." 14.2 (1990): 49-66.

Banes, Ruth A., and David A. Belamear. "Writing the Blues." 14.2 (1990): 1-6.

Banes, Ruth A., David A. Belamear, and Kent Kaster. "Florida Bound Blues." 12.4 (1988): 43-58.

Banks, Jack. "Music Video Cartel: A Survey of Anti-Competitive Practices by MTC and Major Record Companies." 20.2 (1996): 173-196.

Bannister, Matthew. "'I'm Set Free...': The Velvet Underground, '60s Counterculture, and the Repressive Hypothesis." 33.2 (2010): 163-178.

Bareiss, Warren. "Middlebrow Knowingness in 1950s San Francisco: The Kingston Trio, Beat Counterculture, and the Production of 'Authenticity'." 33.1 (2010): 9-34.

Barlow, William. "'Fattening Frogs for Snakes': Blues and the Music Industry." 14.2 (1990): 7-35.

Barrer, Peter. "'My White, Blue, and Red Heart': Constructing a Slovak Identity in Rap Music." 32.1 (2009): 59-76.

Baxter-Moore, Nick. "'This Is Where I Belong'--Identity, Social Class, and the Nostalgic Englishness of Ray Davies and the Kinks." 29.2 (2006): 145-166.

Belamear, David A. "Marginality and Creativity: The New Blues of The Kinsey Report." 16.2 (1992): 23-42.

Bell, Robert H. "Double Dylan." 24.2 (2000): 109-126.

Berry, Venise T. "Rap Music, Self Concept and Low Income Black Adolescents." 14.3 (1990): 89-108.

Bilby, Kenneth. "The Impact of Reggae in the United States." 5.1 (1977): 17-22.

Bishop, Jack. "Who Are the Pirates? The Politics of Piracy, Poverty, and Greed in a Globalized Music Market." 27.1 (2004): 101-106.

-----. "Building International Empires of Sound: Concentrations of Power and Property in the 'Global' Music Market." 28.4 (2005): 443-472.

Black, Grant C., Mark A. Fox, and Paul Kochanowski."Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005." 30.2 (2007): 149-172.

Blair, M. Elizabeth, and Eva M. Hyatt. "Home Is Where the Heart Is: An Analysis of Meanings of the Home in Country Music." 16.4 (1992): 69-82.

Blake, Andrew. "Making Noise: Notes From the 1980s." 21.3 (1997): 19-34.

Boggs, Vernon W. "Salsa Music: The Latent Function of Slavery and Racialism." 11.1 (1987): 7-14.

-----. "Musical Transculturation: From Afro-Cuban to Afro-Cubanization." 15.4 (1991): 71-84.

Boggs, Vernon W., and Rolf Meyersohn. "The Profile of a Bronx Salsero: Salsa's Still Alive!" 12.4 (1988): 59-68.

Bonner, Patricia E. "Ananlyzing the World of Langston Hughes' Living Blues: The Blues Experience Approach." 14.2 (1990): 97-108.

Boulton, Andrew. "The Popular Geopolitical Wor(l)ds of Post-9/11 Country Music." 31.3 (2008): 373-388.

Bourdaghs, Michael J. "Za Kinkusu: Ray Davies and the Rise and Fall and Rise of Japanese Rock and Roll." 29.2 (2006): 213-222.

Bovey, Seth. "'Don't Tread on Me': The Ethos of '60s Garage Punk." 29.4 (2006): 451-460.

Bowman, David. "Semi-Classical." 2.3 (1973): 267-70.

Bowman, Rob. "Stax Records: A Lyrical Analysis." 20.1 (1996): 71-92.

-----. "The Academic at the Crossroads of Commerce." 21.1 (1997): 5-10.

Bradby, Barbara. "She Told Me What to Say: The Beatles and Girl-Group Discourse." 28.3 (2005): 359-390.

Brady, John. "Afternoon with Max Yasgur." 3.1 (1974): 24-40.

Brandt, Thompson A. "The Future Development of Collegiate Culture Consumers of Music." 12.3 (1988): 97-102.

Branwyn, Gareth. "Never Mind the Broadcast: In Search of the Art of Music Video." 20.3 (1996): 95-118.

Braziel, Jana Evans. "'Bye, Bye Baby': Race, Bisexuality, and the Blues in the Music of Bessie Smith and Janis Joplin." 27.1 (2004): 3-26.

Brewer, Roy C. "The Appearance of the Electric Bass Guitar: A Rockabilly Perspective." 26.3 (2003): 351-366.

Bridges, John, and R. Serge Denisoff. "Changing Courtship Patterns in the Popular Song: Horton and Carey Revisited." 10.3 (1986): 29-46.

Brocken, Michael. "Some Other Guys! Some Theories about Signification: Beatles Cover Versions." 20.4 (1996): 5-40.

Browne, Ray B. "Silver Anniversary of a Sterling Journal." 21.1 (1997): 3-4.

Bruner, Gordon C., II. "The Association Between Record Purchase Volume and Other Music-Related Characteristics." 6.3 (1979): 234-40.

Bruno, Franklin. "'Stone Cold Dead in the Market': Domestic Violence and Americanized Calypso." 34.1 (2011): 7-22.

Bryant, Wanda. "Music Resources on the Internet." 20.1 (1996): 93-122.

Buckley, John. "Country Music and American Values." 6.4 (1979): 293-301.

Burkart, Patrick. "Loose Integration in the Popular Music Industry." 28.4 (2005): 489-500.

Burkhalter, Thomas, "Between Art for Art's Sake, and Musical Protest: How Musicians from Beirut React to War and Violence." 34.1 (2011): 23-34.

Burnett, Robert. "The Popular Music Industry in Transition." 17.1 (1993): 87-114.

Burnett, Robert, and Bert Deivert. "Black or White: Michael Jackson's Video as a Mirror of Popular Culture." 19.3 (1995): 19-40.

Burnett, Robert, and Patrick Wikström. "Music Production in Times of Monopoly: The Example of Sweden." 29.5 (2006): 575-582.

Burns, Gary. "Trends in Lyrics in the Annual Top Twenty Songs in the United States, 1963-1972." 9.1 (1982): 25-39.

-----. "Of Our Elaborate Plans, the End." 11.4 (1987): 47-60.

-----. "What's Goin' On." 18.3 (1994): iii.

-----. "How Music Video Has Changed, and How It Has Not Changed: 1991 vs. 1985." 18.3 (1994): 67-80.

-----. "Formula and Distinctiveness in Movie-Based Music Video." 18.4 (1994): 7-18.

-----. "Popular Music and Society and the Evolving Discipline of Popular Music Studies." 21.1 (1997): 133-42.

-----. "Marilyn Manson and the Apt Pupils of Littleton." 23.3 (1999): 3-8.

Burns, Gary, and Robert Thompson. "Music, Television, and Video: Historical and Aesthetic Considerations." 11.3 (1987): 11-25.

Butler, Mike. "'Luther King was a Good Ole Boy': The Southern Rock Movement and White Male Identity in the Post-Civil Rights South." 23.2 (1999): 41-62.

Byler, Robert. "Traditional Jazz Resurgence Is Illustrated by Representative Profiles of Current Bands." 10.2 (1985): 47-58.

Byrd, Joseph. "Whitewashing Blackface Minstrelsy in American College Textbooks." 32.1 (2009): 77-86.